↑三月银盐週记March102012..." />

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↑三月银盐週记
March 10 2012
a red washcloth&a washcloth



↑三月银盐週记
March 11 2012
三月当代艺术馆的某个展览。>

美女厨房----酸辣醒胃木耳丝[6P]

  

  烹製方法(两人份) 

  材料:鲜黑木耳(100克)、猪肉(210克)、青椒(2只)、姜(3片)

  醃料:油(1/2汤匙)、酱油(1/3汤匙)、料酒(1/2汤匙)、鸡粉(1/2汤匙)、生粉(1/2汤匙)

  调料:酱油(1汤匙)、料酒(1/3汤匙)、油(3汤匙)、盐(1/3汤匙)、白糖(1/2汤匙)、白醋(2汤匙)、辣椒油(3汤匙)

  

  1、猪肉和青椒洗淨,猪肉切成丝,青椒切成滚刀块;鲜木耳洗淨沥干水,切成丝状;姜切成丝。要做日光浴。g"   border="0" />
↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本,ividual life experiences. In their art, they have referenced such classic works as: the landscape paintings of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。
冬天几乎都是阴雨绵绵的天气,营区的电线杆都是一半湿的一半乾的,因为湿的是迎风面,感觉上都是湿湿黏黏的咸海风。 资料来源 :Yahoo 新闻  " article/url/d/a/080721/78/13ltn.htmlc="meal/node_2207/node_2213/img/2007/10/18/1192675293215929_4.jpg"   border="0" />

  3 烧开锅内的水,放入木耳丝烫焯1分钟捞起沥干水,加入1/2汤匙酱油和1/3汤匙料酒拌匀,醃製5分钟。 想请问各位大大.台中港夜钓有那些钓点呢!?
用搜寻找到了二个,但有点不太明白,有台中
热心的钓友可以重新分享一下吗!? 袅袅的白烟

丝丝如缕的眷念

湖畔边宁静的午后



桂花初酿 相思一碗 和泪入愁肠
情丝难断 咽吞聚散 杯酒更添凉

月照小塘怜孤影 中夜雾先藏
潋滟波光摇星碎 人长醉 梦飞觞


桥下平面道路闢建自行车道,县长曹启鸿昨带领近千名自行车友,一同骑铁马畅游最新完成的单车国道「竹田之星」段,也替沿线的公共艺术作品揭幕。

休閒人生区|  Recreation & Life
[该区块联络人]
ma 请问各位大哥有e-vista 300主程序可提供 吗

劳驾修改注音文

错误的冰箱保鲜法:冰箱塞满满


江守山医师保鲜建议:总存量不超过80

小弟今年28,最近有想转职,目前有一家日商公司确定要我去上班, 上回说完了小馒头, 资料来源与版权所有: udn旅游休閒
 

绿意、花香 「竹田之星」单车乐
 

【足球投注网/记者刘星君/竹田报导】

      
屏东县单车国道「竹田之星」段热闹启用,县长曹启鸿(前中)带领民众们一同享受国道下的铁马趣。  

  2 猪肉加入1/2汤匙油、1/3汤匙酱油、1/2汤匙料酒、1/2汤匙鸡粉和1/2汤匙生粉拌匀,醃製15分钟。 2008/08/17-打母光之路亚小搞搞
今天要值班但是…毒隐(钓鱼)发作,骑著我的阿狼一路杀到中兴桥..
到达钓点06:00。
二话不说神奇宝贝-S的米

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